Remembering Al Hibbler ©
2004 JCMarion
Albert Hibbler was born in August of 1915 in the little town of Tyro,
Mississippi. In 1927 his family moved to Little Rock, Arkansas, and Hibbler who
had been born blind studied music at the Conservatory for the Blind in that city
and sang with his church choir. He first vocalized with local territory bands in
Arkansas and Oklahoma such as Dub Jenkins. In 1942 he won a talent contest in
Memphis, and was asked to join the band of Kansas City pianist Jay McShann which
included future jazz legend Charlie Parker. His first record was with McShann
with the tune "Get Me On Your Mind" for Decca Records. Developing his style paid
off as one year later he was invited to replace Herb Jeffries as vocalist with
the orchestra of Duke Ellington. He was with the Ellington band for eight years
and recorded vocals with them for Musicraft, RCA Victor, and Columbia. His most
famous vocal with Ellington was "Don't Get Around Much Anymore" on Columbia
#38464. In 1947 he won the Esquire New Star Award, and Best band Vocalist for
Downbeat in 1949. Hibbler was a featured vocalist with the Ellington band for
their Carnegie Hall concerts in 1944, 1946, and 1947, which survive today on
live recordings. Hibbler made a number of recordings for the Sunrise and Miracle
labels in the late nineteen forties. Some of them were : "Trees" and "Lover Come
Back To Me" on Miracle #501, "Poor Butterfly" on Sunrise # 503, "Hey Baby" and
"I Love You" with Ben Webster on Sunrise # 515, "Ghost Of Love" and "By The
River St. Marie" on Sunrise #520, "Fat 'n Forty" and "Little Brown Book" on
Sunrise #2001, "Solitude" and "Feather Roll Blues" on Sunrise #2002, and
"Summertime" and "My Everloving Baby" with Mercer Ellington's Orchestra on
Sunrise #2007.
In February of 1950, Al with the Duke pair off on an interesting double bill
with The Orioles at Chicago's Opera House. In March Al's vocal of "The World Is
Waiting For The Sunrise" is released on Columbia #30195. While the Ellington
orchestra is on a European tour, Hibbler stays behind and gives solo vocals a
shot. In May Al appears with Oran "Hot Lips" Page and The Striders at Teddy
Powell's Holiday Inn in Newark, New Jersey. That same month Al is signed to
Atlantic Records as a solo vocalist. Soon Atlantic releases "Danny Boy" and
"Song Of The Wanderer" by Hibbler with the Billy Kyle Orchestra on #911. By July
the record shows strength on the West coast, especially in San Francisco. By
August it is selling well in the New York area. In September while the Ellington
band is at New York's Paramount Theater, Hibbler is appearing at Birdland in
that city. In November "The Blues Came Falling Down" / "Old Folks" with the
Billy Taylor orchestra is released by Atlantic on #925. Al also vocalizes on
"White Christmas" with Ellington on Duke's own label Mercer Records.
In February of 1951 Chess records of Chicago purchases a number of master
recordings by Al Hibbler that were recorded for the New York label Sunrise
Records. That same month the tunes "Stormy Weather" and "Cherry" are released on
Mercer # 1957 as by The Ellingtonians featuring Al Hibbler. In March Chess
Records announces that Al; Hibbler & his Orchestra are on Chess Records. The
first Chess release is "What Will I Tell My Heart" and "Don't Mean A Thing" on
#1455. The ads also tell the public that his recordings of "Trees" and "Sunrise"
are also now available on Chess. At the same time Atlantic is still advertising
Hibbler's recording of "Danny Boy". The Hibbler recording of "What Will I Tell
My Heart" starts to sell in the Chicago area, and by April is selling well in
Los Angeles. In May "Stardust" and "Honeysuckle Rose" are released on Mercer
#1965. In August "Now I lay Me Down To Dream" and "This Is Always" recorded with
the band of Jimmy Mundy is released on Atlantic #945. In September Hibbler
supposedly has a disagreement with Ellington over his salary, which causes him
to quit the band and go out on his own as a solo performer. In November comes
another Chess Records release - "I Love You" and "My Little Brown Book" on
#1481. Al closes out the year with an extended engagement at The Frolics, a
night spot in Boston.
For the next three years or so, Al Hibbler records sporadically for a number of
labels and in a number of settings. He also makes a number of personal
appearances throughout the country in urban night spots and in concert at a
number of different venues. In July of 1952, jazz producer Norman Granz signs
Hibbler to Mercury and plans to record him with a combo led by ex-Ellington alto
sax star Johnny Hodges. Mercury releases "Believe It Beloved" and "Please" on
#89011. Another session with Hodges produces "Hodge Podge" , and on still
another he does vocals on the songs "I Got It Bad And That Ain't Good" and "This
Love of Mine". He records with a jazz combo led by Leroy Lovett for Norman Granz
on such tunes as "I'm A Lucky So And So" and "Every Hour On The Hour". In July
Hibbler appears at the third annual Blues Jubilee at Los Angeles Shrine
Auditorium which was produced by Gene Norman. Also on stage were T-Bone Walker,
Joe Houston, Helen Humes, Peppermint Harris, Jimmy Witherspoon, and many others.
The Count Basie Orchestra backs up Hibbler for a Mercury recording on #89028.
The songs are "Sent For You Yesterday" and "Going To Chicago" In June of 1953,
Hibbler plays the Bill & Lou Club in Philadelphia. In October Al plays the Toast
Of The Town Club in Chicago. In May of 1954 the Chess re-releases of earlier
material continues with "Fat 'n Forty" and "Poor Butterfly" on #1569. Mercury
releases "There Is No Greater Love" and "It Must Be True" on #89046. In June,
Hibbler appears at the El Dorado night club in Houston, Texas. Late in 1954 it
is announced that Al Hibbler has signed a new recording contract with another
new label, this time it is Decca Records.
Despite the news of the Decca signing, the first Al Hibbler record release of
the year 1955 during the month of January is on Original #1006 with the tunes
"After The Lights Go Down Low" and "Tell Me". Leroy Lovett whom Hibbler recorded
with for Norman Granz on Clef Records, wrote the song and owned the master
recording which he sold to Original Records. The record does not sell and soon
Hibbler's debut is about to happen. In March Decca releases "Unchained Melody"
from the film "Unchained" and "Daybreak" on #29441, and that same month Hibbler
shares the stage at the Apollo Theater in New York with Sarah Vaughn. Hibbler
then moves to a week at Detroit's Crystal Lounge and then on to Buffalo, New
York at the Copa Casino. "Unchained Melody" becomes a huge seller across the
country, even with a great selling version by Roy Hamilton for Epic, and a
number one selling pop instrumental version by Les Baxter for Capitol. Both
vocal versions seem to be selling neck and neck in all areas on both the R & B
and pop charts. The Hibbler version gets as high as number three in the national
best sellers pop charts and remains on the list for five months. In April
Hibbler has a featured spot on the Steve Allen television show. The following
month Alan Freed has Al as a headliner for a week at the State Theater in
Boston. Also on the show are Dinah Washington, Dakota Staton, Little Walter, The
Moonglows, Five Keys, nappy Brown, and Bo Diddley. In June Hibbler opens at New
York's Birdland and Original Records plans to release "Autumn Winds". The "Pop R
& B Show" which headlines Al Hibbler, along with Sarah Vaughn, Red Prysock, The
Cardinals, and many others, will tour the South through July and most of August.
Decca releases "I Can't Put My Arms Around A Memory" and "They Say You're
laughing At Me" on #29543. The record is swamped by the continuing success of
"Melody". Because of the huge success of "Unchained Melody" Atlantic Records
re-issues their Hibbler recording of "Danny Boy" and "Now I Lay Me Down To
Dream" on #1071 in August. That month Chess Records also plans to re-issue some
old sides by Al Hibbler, this time in an LP album. In September, Alan Freed sets
an all time attendance record at the Brooklyn Paramount. Al Hibbler steps in to
take the place of Tony Bennett ( ! ) who strained his vocal chords ( ! ) two
days into the weeklong engagement. After the Freed show Hibbler heads for the
Copa Casino in Youngstown, Ohio, and then joins LaVern Baker, The ElDorados, and
Red Prysock, for shows at the Howard in D.C., and the Royal in Baltimore. In
October Hibbler has another huge seller with "He" on Decca #29660 which has a
five and one half month stay on the pop charts and gets to number four in the
country (the flip side is "Breeze Blow My Baby Back To Me").
Al begins the new year of 1956 with a series of all star shows on the West
coast. In February the song "Eleventh Hour Melody" is a solid seller for Hibbler.
The Decca release on #29789 coupled with "Let's Try Again" is a top twenty
charter. In March Hibbler headlines at Chicago's Regal Theater where the show
also features Della Reese, The Orioles, and Eddie Heywood's Orchestra. In June
Hibbler signs on for a big traveling R & B show produced by Irvin Feld to tour
Canada, Maryland, the Midwest, and Texas. Others on the bill are Carl Perkins,
Shirley & Lee, Frankie Lymon & The Teenagers, Chuck Berry, and others. The show
plays to ten thousand in Annapolis and draws an overflow crowd of seventy
thousand that totally paralyzes the entire area. This proves the tremendous
appeal of the music and its performers (and provides an early echo of Woodstock
thirteen years later !). "Never Turn Back" and "Away All Boats" on Decca #29950
is another top twenty seller for Hibbler during the summer. In August Aladdin
Records becomes the latest to recycle an old session by Hibbler - "I Got It Bad"
and "Don't Take Your Love From Me" on #3328. But it was another old Hibbler
record that becomes another huge seller during the summer. A Decca LP album
called "Starring Al Hibbler" is a big seller getting to the top 20 in album
sales in the country. Al re-records the Leroy Lovett song "After The Lights Go
Down Low" for Decca on # 29982 ("I Was Telling Her About You" on the flip), and
the humorous rendition complete with exaggerated British accent, goes over well
with the record buying public. Alan Freed gives the side a boost on his radio
show and the record is a solid top ten seller and spends more than three months
on the charts. Unfortunately, this was the last record by Al Hibbler that would
make the best sellers, but the Decca label had a number of record releases by
the singer planned. One of the first was "Nightfall" and "I'm Free" on #30100.
At the end of the year Decca releases the seasonal song "White Christmas" in the
Hibbler style on # 30127.
"The Town Crier" shows some promise early in 1957, but is soon swallowed up in
the rock 'n roll tidal wave of the year. The record with a new version of the
song "Trees" was released on #30176. In March of 1957 Al Hibbler headlines a
show for Mickey Schorr at the Michigan Theater in Detroit, then moves on to
Philadelphia to the Mastbaum Theater with an all star show which also features
Nappy Brown, The Willows, Eddie Cochrane, Bull Moose Jackson, and Gene Vincent &
The Blue Caps. Decca then releases Hibbler's version of two well known songs on
#30268 - "Because of You" and "Sweet Slumber". The songs "I Complain" and
"Around The Corner From The Blues" are coupled on #30337 and is followed by
"When Will I Forget You" and "Be Fair" on #30347. In August "My Heart Tells Me"
and "I'm Not Young Anymore" are out on Decca #30547. In early 1959 Hibbler does
a week at the Apollo Theater in New York, and the Club 802 in Brooklyn. "Love
Land" and "Love Me Long" are on Decca #30752. During the summer of 1959 Hibbler
plays the Copa Club in Newport, Kentucky, and is well received. The songs
"Lonesome and Cold" and "It Won't Be Easy" recorded with the Ray Charles Singers
(no connection to the great Atlantic singer) is released on Decca #30946, and
like most of his recordings since early 1957, Hibbler does not strike a chord
with young record buyers and is soon let go by Decca Records. In the early
sixties he records "Strawberry Hill" and "Stranger" for Top Rank, and "Tall The
Sky" for Reprise, and then soon fades from the scene. He briefly returns spurred
on by the revival of a couple of his past hits by The Righteous Brothers in the
late sixties. He appeared now and then performing during the rest of the 1960s,
and the last time I saw him perform was at the funeral for Louis Armstrong in
July of 1971 where he rendered a heartfelt tribute to that giant of American
music. Al Hibbler then lived out the rest of his years until he passed away in
April of 2001 in Chicago at the age of 85. He was a wonderful musician and
personality, and overcame much adversity in his life to bring pleasure to so
many people.
There are a number of CD releases that chronicle the music of Al Hibbler. The
place to start is "The Best of . ." on Varese Sarabande from 1998 which includes
all the commercial successes from his days with Decca. Some original 1950s vinyl
LPs are available on CD format including his hit album "Starring . . ." reissued
in 1996 by Jasmine, "After The Lights Go Down Low" originally from 1956 now on a
1991 CD from Atlantic, "Solitude" on Simitar, and "Monday Every Day" on
Collectables. Original Jazz Classics has two chronologically indexed CDs that
are definitely worthwhile for listeners that want something more than the Decca
hits. Vol. 1 "1946 - 1949" includes the recordings from the Aladdin, Sunrise,
Miracle, and Chess labels, while Vol.2 "1950 - 1952" includes the Mercer, Clef,
and Atlantic sides.